Holly Cole High Definition Digital Downloads

Holly Cole’s first full length album “Girl Talk”, her most recent release “NIGHT” as well as 2001′s “Baby It’s Cold Outside” and the self-titled “Holly Cole” are available for the first time in high definition audio download format via 2xHD.

2xHD was created by producer/studio owner André Perry and audiophile sound engineer René Laflamme, two music lovers determined to experience only the warmth and breath of the music without hearing the equipment. The 2xHD logo on an album cover indicates that the high resolution mastering was done through Fidelio Technologies’ proprietary bespoke system to generate a unique listening experience.

VISIT THE LINKS BELOW TO DOWNLOAD

NIGHT (2012)

  • USA - via ProStudioMaster.com
  • USA – via HDtracks.com
  • GERMANY - via HighResAudio.com
  • JAPAN – via e-onkyo.com

 

 

 HOLLY COLE (2007)

    • CANADA - via ProStudioMaster.com
    • USA - via ProStudioMaster.com
    • USA – via HDtracks.com
    • GERMANY – via HighResAudio.com
    • JAPAN - via e-onkyo.com

 

BABY IT’S COLD OUTSIDE (2001)

      • CANADA - via ProStudioMaster.com
      • USA - via ProStudioMaster.com
      • USA – via HDtracks.com
      • GERMANY – via HighResAudio.com
      • JAPAN - via e-onkyo.com

 

GIRL TALK (1990)

      • CANADA - via ProStudioMaster.com
      • USA - via ProStudioMaster.com
      • USA – via HDtracks.com
      • GERMANY – via HighResAudio.com
      • JAPAN - via e-onkyo.com

 

ABOUT 2xHD MASTERING PROCESS

The original recording was made on a DAT recorder (state-of-the-art at the time). The 2xHD process used to transform the master into the 176kHz/24bits format, eliminates the digital jitter and bring this wonderful recording to its fullest value with an even better natural sound. A true audiophile gem.

Mastered from the original 96kHz, 24Bits files by Rene Laflamme and Andre Perry at Fidelio Technologies’ mastering lab, using the 2xHD process. A modified high-end dCS Vivaldi clock with silver and gold cables was used to create a very transparent sound.

ABOUT GIRL TALK

In March of 1990, the Holly Cole Trio, Holly Cole (Vocals), Aaron Davis (Piano) and David Piltch (Bass) determined that although they had recorded one small EP together ‘Christmas Blues’ it was time to record their first full length album. They wanted to preserve the quintessence of their live performance by keeping the parameters of recording of that first full record very close to the live environment that they had come to dominate in Toronto’s alternative Queen St west club scene. They enlisted Peter Moore who had just successfully produced the ground breaking ‘Trinity Sessions’ for the Cowboy Junkies. They found the Stephen Leacock Theatre in Keswick, Ontario and proceeded to record live off the stage in the empty hall, with the band strategically placed around a single Calrec Ambisonic Microphone. All the takes are full takes, no overdubbing. The record was highly successful, became a Gold selling release in Canada and a staple gold standard recording for showing off any piece of audio gear (speakers, amplifiers, microphones, etc.) at Audiophile conferences internationally and set Holly Cole up for a long and successful career.

‘The air of intimacy between artist and listener is so great that, if anything, the feeling of being present in the moment is greater here than on the 1996 live album It Happened One Night. On an album recorded ‘live in concert,’ the ambient noises that occur when a large number of people are gathered in one place can seem discordant or inappropriate when you’re listening to the CD in your car or your living room; the atmosphere can exclude rather than include you. Put on this disc, however, and you can imagine that Holly Cole is singing for you alone. It’s easy to focus on Cole’s emotionally compelling delivery, and at first you can be so mesmerized that you forget that the vocalist is one part of a trio. Listen more carefully, and it becomes apparent that the piano and bass accompaniments are deceptively simple — that they are, in fact, providing a counterpoint to the sung lyrics that is almost conversational. Suddenly, these simple arrangements feel quite complex. The most entertaining song on the album may well be Cole’s interpretation of the traditionally sunny and euphoric ‘Downtown.’ In her expert hands it moves from near cynicism to a guarded openness that makes this standard seem to have a range of meaning you may never have considered.’ (Maya Geryk)

ABOUT NIGHT

“The night is filled with secrets and the wonder of their potential.” –Holly Cole

To Holly Cole, the nighttime is central to her personal and artistic life. She is a self-declared night owl, perfectly at home in the time between dusk and dawn, a dear friend of the wee small hours. It’s a fact that now finds firm and poetic expression in the title and content of her eagerly awaited new album – NIGHT. As usual when it comes to the iconic Canadian songstress, it’s an album that features a stylistically diverse and emotionally stirring collection of songs. It stands as a love letter to the night and its power, a celebration of the hours where daylight’s chatter has disappeared and turned into peaceful moments of creative possibility, providing a chance to see the world with different eyes and to listen with different ears. An invitation to intimacy.

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